Date of birth: June 8, 1810 at Zwickau, Germany Died: Jul 29, 1856 in Endenich, Germany Death: July 29, 1856 at Endenich, Germany  Related Paintings of robert schumann :. | the opening of the theater in der josefstadt in vienna | painted in 1823 by ferdinand georg waldmuller | Original dedicatte | viennese street csene during the of brahms the fruit market on the quayside near the maria theresa bridge | Beethoven wrote to flee and recuperation ciy |
Related Artists:
BELLOTTO, Bernardo
Italian Rococo Era Painter, ca.1721-1780 Bernardo Bellotto (30 January 1720 ?C 17 October 1780) was an Italian urban landscape painter or vedutista, and printmaker in etching famous for his vedutes of European cities (Dresden, Vienna, Turin and Warsaw). He was the pupil and nephew of Canaletto and sometimes used the latter's illustrious name, signing himself as Bernardo Canaletto ?? fraudulently, according to some. Especially in Germany, paintings attributed to Canaletto may actually be by Bellotto rather than by his uncle; in Poland, they are by Bellotto, who is known there as "Canaletto". Bellotto's style was characterized by elaborate representation of architectural and natural vistas, and by the specific quality of each place's lighting. It is plausible that Bellotto, and other Venetian masters of vedute, may have used the camera obscura in order to achieve superior precision of urban views.
Henry Charles Bryant
(1835 - 1915) was a popular painter of portraits and landscapes specialising in farmyard and market scenes which were noted for their great attention to detail. He worked mainly in London and exhibited frequently between 1860 and 1880 at the Royal Academy, the British Institution and the Royal Society of British Artists. His paintings are highly sought after today.He died at 49, Derby Road, Portsmouth in January, 1915(Obituary:- Hampshire Telegraph & Post, January 8, 1915).
MIERIS, Willem van
Dutch Baroque Era Painter , b. 1662, Leiden, d. 1747, Leiden, Dutch painter, was the son of Frans van Mieris sr.. His works are extremely numerous, being partly imitations of the paternal subjects, or mythological episodes, which Frans habitually avoided.